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She reads the newspaper, while John wails, “It’s a love that lasts forever!” There’s a priceless scene where they’re working on “Don’t Let Me Down,” while Yoko, the woman who inspired John to write this soul-baring confession reaches over and brushes a few crumbs off his shoulder. She’s there because John needs her there, only she’s not interfering. Over the years, Yoko has been stupidly maligned as an intruder at the sessions. The only non-Beatle they really seem to trust is their loyal road manager Mal Evans - the secret hero of the movie, the Sam to these four Frodos. The Beatles can knock each other all day, but even at that point, they won’t let any outsider step to them.
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Just ‘cause we got a bit grumpy!” It’s touching to see Ringo close ranks to defend his mates. (Who knew Ringo had hackles?) When the director casually says it’s the end of the band, Ringo snaps. But the Beatles still treat him like a little kid.Įven Ringo, the stoic saint of infinite patience, gets his hackles up. Everybody else on earth treats George like a world-class artist, including peers like Dylan and the Band. (No poker player, Harrison.) No wonder this is the song that pissed him off it must have been agonizing to feel blocked out of that John/Paul duet. “But I don’t think you really know what that one is.” George could really turn on the Bette Davis when he wanted to.īut in Get Back, the moment hits hard because you see it in context - the song they’re arguing about is “Two of Us.” When you witness the joyful eye contact between Paul and John, as they harmonize, you can also see the rage smolder on George’s face. George scoffs, “Whatever it is that will please you, I’ll do it.” He pauses with his icy glare. The most famous scene from the original Let It Be is Paul and George sparring over a guitar part. Get Back is a treasure trove of Salty George moments, like when he drily asks Paul, “Is this one called ‘I’ve Got a Feeling?’” He’s a key reason the Beatles were one of the movies’ all-time great comedy teams, in addition to everything else they were. George, as always, rules as the Queen Bitch of this band. Their abrasive sides are on display, from John’s gum-chewing side-eye to Paul’s bossy rants.
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Some worried that Get Back would sanitize the band’s conflicts, but that’s not the case. Paul plays “Strawberry Fields Forever” at the piano while John sits a few feet away, hunched over his guitar, trying to act cool, pretending this moment doesn’t mean a thing to him. Linda and Yoko whisper while the boys play “Let It Be.” George floors the others with an acoustic version of a Bob Dylan outtake. Those “quiet moments” are the heart of the film, and they’re packed with emotional details. But I’m sure there’ll be some fans who will want the 80-hour.” It did mean that he ended up with an 80-hour edit, because he’s just very respectfully kept all these little moments. “That’s what’s nice about this upcoming Get Back film by Peter Jackson,” Paul told Rolling Stone this summer. There’s no annoying talking heads or celebrity interviews. It’s basically a “can they make it to the show on time?” caper - the same plot as A Hard Day’s Night. Get Back goes day by day, building up to the rooftop concert. But even in these tense conditions, they’re constantly striving to impress one another. “I thought, ‘If what we’ve seen is the stuff they allowed people to see, what are the other 55 hours going to be like?’” But the fruits of his labor aren’t a one-dimensional buzzkill like Let It Be. Jackson went into the vaults to go through 60 hours of footage - as he told Rolling Stone last year, he was dreading it. Anyone who’s seen it can tell you the ugly reputation is deserved.
#JOHN LEGEND ALL OF ME ACOUSTIC MOVIE#
The movie Let It Be became an infamously miserable portrait of the band splitting apart. It all builds up to their famous rooftop concert at the end of the month, their last public performance. The band invited a film crew to turn their rehearsals into a movie.
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Get Back follows the Fabs in January 1969, trying to whip up a new album that will become their bittersweet farewell Let It Be. (Jackson is already talking about an 18-hour director’s cut, and all I can say is, don’t leave me standing here. He digs into a treasure trove of footage from the vaults, with surprises that not even the most hardcore Beatle bootleg scavengers know about. He originally planned it as a two-hour feature, but it’s finally airing on Disney’s streaming channel in three installments, from November 25th – 27th. Related: Watch The Beatles: Get Back on Disney+ hereĭirector Peter Jackson took on Get Back in 2017, and by now, it must be the most feverishly anticipated rock doc ever.